Bates Motel
Apr. 2nd, 2013 08:03 amTrying to get into the television series, but have so far bounced pretty hard off it. It's decently well acted, and the script is intriguing, playing around in very interesting ways with the concept of Norman's increasing mental instability causing you to question what is real in the scenes which are just him. The supporting cast is also interesting, and there's some subplots and themes that have a lot of promise.
The thing is that the choices by the director to make his framing of Norman and his mother so disassociative and off feeds the overall theme nicely, but really blocks the chances to build any empathy towards them. Without empathy, the viewer is insulated from any kind of emotional reaction in response to the things they experience or suffer through. For example, there's a rape sequence which is told in a fairly bleak and brutal fashion, but really, the only thing that comes through as an uneasy story element to react to is the interplay between Norma and Norman following it.
In short, the show spends so much time reminding you that these are people who are already too broken to ever heal that you're not waiting for the possibility for redemption with either of them, but instead killing time until the inevitable transition from victim to monster is complete.
EDIT: That would be a 'rape sequence'. A 'rap sequence' would be if this series had been shot in the 90s with Will Smith as a wacky young Norman Bates and Alaina Reed-Hall playing his sassy 'moms' Norma.
The thing is that the choices by the director to make his framing of Norman and his mother so disassociative and off feeds the overall theme nicely, but really blocks the chances to build any empathy towards them. Without empathy, the viewer is insulated from any kind of emotional reaction in response to the things they experience or suffer through. For example, there's a rape sequence which is told in a fairly bleak and brutal fashion, but really, the only thing that comes through as an uneasy story element to react to is the interplay between Norma and Norman following it.
In short, the show spends so much time reminding you that these are people who are already too broken to ever heal that you're not waiting for the possibility for redemption with either of them, but instead killing time until the inevitable transition from victim to monster is complete.
EDIT: That would be a 'rape sequence'. A 'rap sequence' would be if this series had been shot in the 90s with Will Smith as a wacky young Norman Bates and Alaina Reed-Hall playing his sassy 'moms' Norma.